art

April 26, 2008

Toujours, Philadelphie

Departed Paris at noon Friday destined for home. 31 hours later I am currently begging spare change at gate C25 of Philadelphia airport, thanks to a stiff breeze in Chicago and the world-class competence of US Airways. I am led to believe I actually might make it home before 1 am Sunday.

Oh, well. At least Paris was a hoot. Thursday I met up with two Iowahawk readers for an evening of sophisticated imbibing in the neighborhood of Montparnasse. Our host and sherpa: Prof. Jonathan, an American ex-pat who has taught university English in Paris for 30 years. Joining us was Dr. Carlos, an Australian medico currently enjoying a half-year sabbatical in France.

What Montmartre was to the Bohemian age, Montparnasse was to the early 20th century: a cafe-saturated neighborhood of famous auteurs and artists like Jean Cocteau, Ernest Hemingway, Salvador Dali, Henry Miller, Joan Miro, Man Ray, et al.

Mmm, smell the tragic artistic brilliance...

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We'll see if that reputation survives my visit there.  First stop: La Select, a restaurant favored by manyof  Parisian literary set in the 1920s. Bordeaux for Jonathan and Carlos, tequila for me, and we toast Hemingway.

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From there, across the avenue to La Coupole, another Montparnasse Jazz Age institution with an amazing interior dominated by a large cupola (hence La Coupole) and pillars decorated by many of the 20th Century's  most notable artists. Bordeaux all around. 

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Last stop of the evening: La Something Something de Lilas (sorry, I had my swerve on by this point). Like the other stops Prof Jonathan is greeted with great deference by the wait-staff, who set us up at a heated outdoor table. Another round of drinks and Americanly-illegal Cuban cigars courtesy the fine Professor. Ha ha! Come and get me coppers! The joint is quite swank, and each table features a brass plate commemorating one of their famous regulars. Sorta like the Broadway Deli, for suicidal artistes.

You know what to do whenever somebody says the artist of the day, don't you? Scream real loud! Aaaaah!

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In short order the heater at our table has attracted three comely jeune filles, with whom the resourceful Dr. Carlos strikes up a conversation en Francais. Fille un is a wisecracking Russian-French-Turkish Kung Fu expert / art gallery owner (I am not making this up); Fille deux is her accountant, an expatriate Welshwoman; Fille trois is a something or other. All seem quite infatuated with the good Doctor.

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"So vhat are you doink here? Are you artist or writers or zomesink?" laughs Fille un.

The Doctor and the Professor point at me. "He's a writer."

"Really?" they ask, enthusiastically. "Novels? Screenplays? Have we heard of you?"

I'm still looking around trying to figure out who they were pointing at.

"He's a blogger," offers Professor Jonathan. "He's.. well, sort of known."

The three filles  react to this as if they had learned I wrote school lunch menus or lawnmower warning stickers. Despite his revealed association with blogospheric scum, the filles continue their flirtation with Dr. Carlos, who deftly extracts a party invite for Saturday night. It's getting late, so I head for the Metro and bid my drinking companions a bien tot, and Carlos bon chance with scoring that rare & elusive menage a quatre.

Arrivederci, Paris!


April 16, 2008

New Giclée Print For Sale!

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Parts With Appeal (Section) 30" X 10.5"

S/N Edition Of 50 - $100

click to purchase

April 05, 2008

Paintblogging: Finished

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Five nights of painting dots. That's a lotta dots, pal. This was the part of the painting that I had planned out from the beginning, but even that didn't prepare me for the amount of labor involved. Still there's only one way to do it, and that's just keep doing it until it is done. For five nights, (can't use the opaque projector during the day) I cranked up the Ornette Coleman albums and painted dots.

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After all that work, the last part was almost anticlimactic.

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I finally got to use the stencils that I made so long ago. I tried to be patient, and give the white coat time to dry before applying the black, but after all that dot-painting, I just wanted to say I was finished. Fortunately, I was not punished for my haste, and everything turned out fine.

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So another one bites the dust. The sense of satisfaction is fleeting, however. I'm already starting on the next painting.

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March 30, 2008

Paintblogging: An Accretion Of Detail

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Well, I said it was going to look completely different. This was two nights' worth of work. At least two more nights to go.

More photos here..

March 25, 2008

Paintblogging: Time To Make The Donuts

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Still painting and painting. This painting has been a particularly strange beast, fighting me every step of the way, and revealing itself in unexpected ways. It is now almost completely different in composition that the day I started to apply paint to canvas, one of the major surprises being the most recent step. The line art that first became a stencil, then this Napthol Crimson overlay, was not part of the original plan at all. Strangest of all, it wasn't until I drew the original drawing of "Lil' Mort," that I realized what the subject of the painting was in the first place. When I realized that it was what it was, everything else fell into place. I felt like a safe cracker, listening through a stethoscope as the tumblers fell behind the steel door, locks clanking open to reveal... what exactly? I still don't know. This painting isn't finished yet, though everyone who has seen it so far seems to think that it is complete. I still have at least two major steps to go, one of which will completely change the way the painting looks right now.

Weird, huh? Strange as it might sound, this is all part and parcel of the creative process, and after 20+ years of doing this for a living, it is the only part that still excites me.

More photos here..

March 17, 2008

Busy As The Bumbled Bee

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Apologies for post-vacation blog neglect, but I have been busy honing my mad stencil skillz, as you can see. This is meant to be used as an element in the painting I am finishing up right now. More photos soon.

February 11, 2008

Tim Anderson: Faces

I don't envy many people; an exception is my globe-hopping, oil-slinging friend (and cousin-in-law, one removed) Tim Anderson.  A lifelong Chicagoan, he was a student and friend of the late Ed Paschke and his art career began in the 70's creating artwork for the Steppenwolf Theater, the Chicago stage company founded by Gary Sinise and which would later include John Malkovich, John Mahoney, William Peterson, Joan Allen and others. From there Tim became one of the founders of the Coldhouse Group, a project to exhibit paintings in temporary galleries set up in abandoned cold storage warehouses.

Tim's oeuvre spans a wide range of subjects from landscapes, to abstract maps, to primitive hieroglyphics, to Tommy Ivo's top fuel dragster. But he is best known for his portraiture, particularly his multi-portrait panels arrayed to depict historical and occupational themes: WW2 Dutch resistance fighters, Chicago mobsters, chefs, actors, saints and athletes.  Tim's pieces can be found in galleries and private collections around the world,  the Steppenwolf, the Chicago Historical Society, several United States Embassies, and (to my everlasting joy) my living room.  They have an emotional, visual vocabulary that shines through even my lousy photos.  I'll just shut up and let you enjoy.

Tim Anderson Gallery Links

Thomas Masters Gallery, Chicago
Lawrence Asher Gallery, Los Angeles
Galerie Paul Friedland & Alexandre Rivault, Paris
Kunstkontor Westnerwacht, Regensburg